March 30th sunday 3月30日 日曜日
Maki Arai 新井麻木 guitar
Tetsuko Kato 加藤哲子 drums
Daisuke Okuzumi 奥住大輔 sax
Asao Sekine 関根麻郎 trumpet, performance
Shin'ichi Isohata 磯端伸一 guitar
open 19:00
start 19:30
music charge: 2000 yen
+
table charge: 300 yen
+
2 drinks
Art × Jazz M's Tokyo
Maki Arai 新井麻木
composer / guitarist
'80s:
string quartets, improvisations and noise collages with video
'90s:
composition for experimental film
contributions to music magazines
recently:
made music for a theatre performance piece
collaboration with dance with guitar improvisation
was a pupil of the school of Masayuki Takayanagi
作曲 / ギター
80年代
弦楽四重奏曲、インプロビゼーション、映像とのノイズコラージュ作品を発表
90年代
実験映画の音楽作曲
音楽誌への寄稿
近年は
演劇パフォーマンス作品の音楽担当
ギターインプロビゼーションによるダンスとのコラボレーション
高柳昌行ゼミ修了
Tetsuko Kato 加藤哲子
After experiencing the drum corps and the brass band at high school, she started playing jazz drum in the big band at university. Studied under Shota Koyama while doing that and later under Masayuki Kume. Started performing at Aketa's shop in Nishiogi and others in 90s.
Studied under Matt Wilson in NY in 1996, and also learned a lot from late Roy Haynes. While exploring in improvisation since around 2000, she played in many improvisation units including 'BOREDOMS presents 7 x 13 BOA DRUM' and Otomo Yoshihide 's 'Collective Fukushima !'. She has been organizing improv-only jam session events since 2017. Being such a cat lover that calls herself a ‘nyanko drummer’, her drumming reflects late beloved cat's suppleness.
Studied under Matt Wilson in NY in 1996, and also learned a lot from late Roy Haynes. While exploring in improvisation since around 2000, she played in many improvisation units including 'BOREDOMS presents 7 x 13 BOA DRUM' and Otomo Yoshihide 's 'Collective Fukushima !'. She has been organizing improv-only jam session events since 2017. Being such a cat lover that calls herself a ‘nyanko drummer’, her drumming reflects late beloved cat's suppleness.
高校でドラムコーと吹奏楽を経験、大学のビッグバンドでジャズドラムを始める。
学生時代に小山彰太氏に、後に久米雅之氏に師事。90年代に西荻アケタの店等で演奏活動を開始。
1996年、NYでマット・ウィルソン氏に師事。また故ロイ・ヘインズ氏より多くを学ぶ。
2000年頃から即興演奏を模索するようになり、「BOREDOMS presents 7 x 13 BOA DRUM」、大友良英氏主宰「コレクティブFUKUSHIMA！」等さまざまな即興ユニットに参加。また、2017年からは即興のみのインプロジャムセッションも主催している。
自らを「にゃんこドラマー」と呼ぶネコ好きで、先代の愛猫直伝のしなやかなドラミングを身上とする。
学生時代に小山彰太氏に、後に久米雅之氏に師事。90年代に西荻アケタの店等で演奏活動を開始。
1996年、NYでマット・ウィルソン氏に師事。また故ロイ・ヘインズ氏より多くを学ぶ。
2000年頃から即興演奏を模索するようになり、「BOREDOMS presents 7 x 13 BOA DRUM」、大友良英氏主宰「コレクティブFUKUSHIMA！」等さまざまな即興ユニットに参加。また、2017年からは即興のみのインプロジャムセッションも主催している。
自らを「にゃんこドラマー」と呼ぶネコ好きで、先代の愛猫直伝のしなやかなドラミングを身上とする。
Daisuke Okuzumi 奥住大輔
Born in Fujimi Town in Nagano.
As a junior high school student in a brass band, his father took him to Akira Sakata concert and he became interested in jazz and improvised music.
After moving to Tokyo, he studied under Mitsuru Kanekuni.
He performs mainly in central Tokyo. As the leader, he is in the trio " Okunoennnomiya" with Fumi Endo (pf), Ryotaro Miyasaka (ds) and the quintet of two wind instruments with Yutaka Handa (ts), Mari Hayami (pf), Masatake Abe (e. bass), and Kazutoshi Murakami (ds).
He has also supported South Penguin, Jin Dogg and so on.
長野県富士見町出身。
吹奏楽部だった中学生の頃、父親に連れられ聴いた坂田明のライブにより、ジャズや即興音楽に興味を持つ様になる。
上京後、包国充に師事。
都内を中心に活動中。リーダーバンドに遠藤ふみ(Pf)、宮坂遼太郎(Ds)とのトリオ"奥遠宮"(おくのえんのみや)や、伴田裕(Ts)、速水真理(Pf)、阿部真武(E.Bass)、村上和駿(Ds)との２管クインテットがある。
South PenguinやJin Dogg等のサポートもしている(敬称略)。
Asao Sekine 関根麻郎
Asao/Marou Sekine.
Started playing the trumpet at twenty when joined a pop music club and found the instrument in the club room, Had a long blank from twenty-five. Started painting and taking photograph in his 30s, holding two exhibitions. Started performance-art-like something in middle 40s, also acting in independent films, theater, and video works. Restarted musical activities by starting trombone in 50s. While joining some bands, returned to trumpet before noticing. Started blowing cornet as someone lend it. Organized an event called "Performing quietly for now" irregularly (28 times so far) at Kokubunji M's. Appeared in the performance work "Memorial service for bread crust", which was later dramatized (music by Shin'ichi Isohata) as "Bread crust", being expanded with the imagination of movie director Tadasuke Kotani. When acted in a short film by a student of Musashino University in 2024, his playing sound of trumpet and cornet was used as the music in it. Started joining "New Improvisation Day (at Knuttel House)", Free Improvisation Jam Session (organized by Wataru Yamashita at Flying Teapot), and others, after turning 60.
Started playing the trumpet at twenty when joined a pop music club and found the instrument in the club room, Had a long blank from twenty-five. Started painting and taking photograph in his 30s, holding two exhibitions. Started performance-art-like something in middle 40s, also acting in independent films, theater, and video works. Restarted musical activities by starting trombone in 50s. While joining some bands, returned to trumpet before noticing. Started blowing cornet as someone lend it. Organized an event called "Performing quietly for now" irregularly (28 times so far) at Kokubunji M's. Appeared in the performance work "Memorial service for bread crust", which was later dramatized (music by Shin'ichi Isohata) as "Bread crust", being expanded with the imagination of movie director Tadasuke Kotani. When acted in a short film by a student of Musashino University in 2024, his playing sound of trumpet and cornet was used as the music in it. Started joining "New Improvisation Day (at Knuttel House)", Free Improvisation Jam Session (organized by Wataru Yamashita at Flying Teapot), and others, after turning 60.
セキネマーロウ。
20歳で軽音楽系のサークルに入り、部室に置いてあったトランペットを始める。25歳より長らく中断する。30代に入り絵画を描いたり写真を撮ったりする。絵画の個展を2回ほどやる。40代半ばよりパフォーマンスアート的なことを始める。自主制作映画、演劇、映像作品などにも出始める。50代に入りトロンボーンを始め、音楽的なことを再開する。バンドなどにも参加するが、いつの間にかトランペットに戻る。コルネットを貸してくれる人がいてコルネットも吹き始める。コロナ禍より国分寺M'sにて「今は静かにパフォーマンスなど」というイベントを不定期的に主催する(今までに28回ほど)。2022年 パフォーマンス作品「パンの耳」が映画監督小谷忠典氏のイマジネーションにより膨張拡大し「パンの耳」として演劇化され出演もする(磯端伸一氏が音楽を担当)。2024年発表の短編映画(武蔵野大学の学生作品)に出演した際、トランペット、コルネットの音が音楽として採用される。60代に入り新・即興の日(なってるハウス)、フリーインプロジャムセッション(山下渉氏主催／フライングティーポット)などに参加する。
